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May 17, 2012
‘Cosmopolis’ review from the French magazine Studio Ciné Live
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A Cronenberg as brilliant as he is firm.

Each in their own genre, David Cronenberg and Don DeLillo are silversmiths of fantastic, unhealthy and sometimes dark atmospheres. As well as of the science of language and characters in shambles and – let’s not forget – of controversy.
It’s then pretty obvious that one would end up adaptating the other’s work. Cosmopolis is the ghostly and hypnotic story of a day in the life of a golden boy who is about to lose his empire because of the crisis, indifferent to the world that surrounds him. He’s hypochondriac and schizophrenic. His long journey across a chaotic New York, rythmed by meetings with his wife, his mistresses and his employees, will lead him to a point of no return. In a perfect balanced cinematic movement, David Cronenberg decided to adapt to the letter the extremely rich prose of Don DeLillo. He filmed with an incredible ingenuity this stifling and unsetlling closed-door.
This preconception to stay faithful to the text of the author is amazing but not without any danger. Especially in the last part of the film, where one could definitely get lost in a verbal flood that becomes complex for the viewer and for Robert Pattinson – who was perfect until then – but seems, all of the sudden, not to be able to manage anything anymore.

As always with Cronenberg, there’s no in between, no second place, no way out. Cosmopolis gets appreciated at full or not at all. Take it or leave it.

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May 16, 2012
Britney Spears is th highest paid Female Musician this year!
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1 Elton John $80 million
2 Bon Jovi $60 million
3 Britney Spears $58 million
4 Paul McCartney $57 million
5 Taylor Swift $57 million
6 Toby Keith $55 million
7 Justin Bieber $55 million
8 Rihanna $53 million
9 Lady Gaga $52 million
10 Katy Perry $45 million
11 Kenny Chesney $44 million
12 Beyoncé Knowles $35 million
13 Adele $35 million
14 Brad Paisley $32 million
15 Tiesto $23 million
16 Skrillex $15 million

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May 16, 2012
David Cronenberg and Don DeLillo talk about Rob with Le Monde
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ome quotes look familiar because they’re asking the same questions, but looks like it’s a new interview. They talk more about Rob.

Le Monde: This way of perceiving a script can suprise coming from an author so versed in genre movies?

David Cronenberg: It is often thought that the cinema is a visual art. I think that for me, it’s a more complicated combination. For me, the heart of cinema is a face that talks. It’s what we film the most. I heard someone say that the last 22 minutes of the movie – where’s there is only Paul Giamatti and Robert Pattinson in a room – is like theater. I don’t think so. In a play, you woudln’t have wide shots, movements from the camera, change of lighting. This is cinema. Without close-ups, there’s no cinema.

[...]

Le Monde: And Robert Pattinson?

DonDeLillo: The character he plays is really close to the one in the book. I haven’t seen Twilight, but I impressed my two 13 years old nieces when I told them the British Robert Pattinson was going to play in a movie adapted from one of my books. They respect me now!

David Cronenberg: Casting is an occult art. It’s a matter of intuition. There’s objectives factors tho. The character is 28, he’s american. We needed someone who would look that age and that could do a perfect American accent. The movie is partnership between France and Canada. Also, I could only use one American actor and for me, it was Paul Giamatti. I could get an English actor though.
Then of course, there’s the presence of the actor, he has to be able to portray a complex, crual, brutal and almost vulgar character in a way. He has to be really sophisticated and vulnerable at the same time, naiive and childish. If only to make people believe that he’s capable of accomplishing so much, he needs strength and charisma. Moreover, he’s in every scene. It doesn’t mean he has to be handsome bu he has to be nice enough to look at for an hour and a half. And to finish, he needs to have some kind of notoriety. When a movie cost some kind of budget, you need to be able to tease your financial partners. And with all these restrictions, the list of actors you need, gets shorter. I thought about Rob pretty early on.

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May 16, 2012
New ‘Cosmopolis’ stills from the soundtrack booklet
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Via

Categories: Cosmopolis, Music


May 16, 2012
Britney Spears #6 on Forbes 100 Most Powerful Celebrity List
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Conspicuously absent from our 2011 list due to limited touring, Britney blasts back to the top this year with over 75 shows in the past 12 months. She also earns millions from endorsements and a fragrance line with Elizabeth Arden. Her latest album, Femme Fatale, earned platinum certification in the U.S. The pop princess still attracts plenty of tabloid attention, especially in the wake of her December 2011 engagement.

Britney Spears

Earnings
$58 M As of May 2012

Follow Following Unfollow (4)
At a Glance

* Musician
* Age: 30
* Source of Wealth: Music
* Residence: Los Angeles, CA
* Country of Citizenship: United States
* Marital Status: Engaged
* Children: 2

Forbes Lists
#6 Celebrity 100

* #20 in Money
* #26 in TV/Radio
* #34 in Press
* #11 in Social
* #15 in Web

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May 16, 2012
David Cronenberg talks about Rob – Great interview
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Premiere: What made you go back to Cannes with Cosmopolis?

David Cronenberg: The festival and I have a long history. In a sense I have the feeling of coming home. I think it is an ideal film for Cannes and I’m excited about the idea of having ​​Rob with me.

Q: Today it is impossible to imagine someone for this part. However, you offered it before to Colin Farrell …

DC: When Colin left the project to film the remake of Total Recall, it made me rethink everything. Anyway he was too old for the part: he’s 35 and I wanted to be faithful to the book, it was necessary to have 25 year old actor. Then I started to check all the actors of that age and that’s how I thought of Rob. I had seen him in Twilight, of course, but nothing he had done so far really predisposed him to act in Cosmopolis. Even tho you choose an actor by the perceived potential you see in him and not by his resume. And the more I thought aout it, the more I liked the idea.

Q: Did he went through an audition?

DC: No. We talked a lot on the phone. Rob is not one of those people with a big ego. He really wanted to make the movie, but seriously wondered if he could. It was his only concern. He said “do you really think I’m good enough to play this part? I’m afraid to ruin your movie.” I told him that this conversation more than convinced me thathe was perfect for Cosmopolis.

Q: It’s hard to imagine you watching Twilight. Have you seen all four movies?

DC: (laughs). No, not really. I must have seen one and a half.

Q: The saga has made him a star, but has also created an absurd situation: people who have not seen him act shout that he is an idol for young girls, and lacking any talent.

DC: This reflects the world we live in today, where the Internet, among other things, promotes this kind of hasty and dangerous judgement. I ignore them and try to see beyond. The advantage is that Rob’s fans are waiting for the moment when he will show everyone that he is able to exist beyond Twilight. And if they’re all going to see Cosmopolis, I don’t worry about the future of the film.

Q: How did the other actors react when you told them that Robert Pattinson would have the lead role?

DC: Paul Giamatti, who was one of the first actors to join the cast, thought it was a brilliant idea. I’m not sure if Juliette Binoche could have weighed the popularity of Rob when she signed for the film, but none of them expressed doubt or contempt about him. Nobody told me: “What the hell were you thinking when you hired the guy from Twilight?” Quite the contrary. In fact, I caught Rob and Juliette having very deep conversations about French cinema. They got along really well.

Q: Do you have in mind a particular scene in which he has impressed you.

DC: By the end of the shoot, he was so into his role that we would only do one or two takes per shot. And he surprised every time by the way he managed to secure all the emotions that were at stake. He was completely impregnated with the loneliness and pain of the character. Because we shot the film more or less in chronological order, the final scene we shot was the last. And I just needed to do one take because of how perfect Rob and Paul were. When I said “cut” all crew members looked stunned by what had just happened.

Q: Seeing Robert Pattinson in the movie, you immediately think of Johnny Depp and Brad Pitt, who were teen idols before they could really show their potential when directed by Tim Burton and David Fincher …

DC: Some actors become stars thanks to their pretty faces and a charisma that comes off well on the screen. At first, they’re rarely offered the opportunity to show more than that. But it happens that they only have this to show… With Cosmopolis I was proud to give Rob a chance to prove the ability of his talent. If he does well, I see him having, with no difficulty, a career like Johnny Depp’s or Brad Pitt’s. Or maybe even better.

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May 16, 2012
Juliette Binoche talks about Rob and Cosmopolis with Io Donna (Italy)
Posted by Maria • No Comments »

Rough translation via google

I’m 41 years and I understand what is the problem, says her/his character in the film. Life is too contemporary.

Don DeLillo’s writing – and the film is very faithful to the novel – it was for me the extraordinary discovery of a universe.

A cold world, without humanity. That forces us to face the nightmare of desire, anxiety to possess everything, the obsession to win, to climb higher up, looking for a “more” is not there.

Although his character is very contemporary, mixing sex and business, and perhaps no longer believe in anything, not even art. What effect did it?

Didi Fincher is a lost woman, just like Eric Packer is lost. It’s just one person, its apparent weight is actually a hiding place where reigns anxiety. Cosmopolis speaks of our need to procure money, sex, power and mix everything. A very dangerous game.

Io Donna: Robert Pattinson, who is the lead in Cosmopolis, is a global icon, a living image of beauty and youth. A perfect choice.

Juliette: I met Robert for the first time on set. I must admit that I had not seen his films. And I found in him a fierce passion for cinema, he knows the cinema much better than me. It was lovely and fun to work with him, he’s a man who’s very ambitious to produce and direct his films one day.

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