Source: Thanks to our affiliate Twilight-Belgium

Tinsel Korey looked gorgeous in green at the launch of the new XBOX 360 video game Halo: Reach in Los Angeles (September 8th).

Foforks | Via/Team-Twilight | Via/BellasDiary

Ashley Greene was spotted arriving back in the US (September 8th) after filming for her movie ‘LOL’ in Paris with co-star Miley Cyrus.

Source | Via/BellasDiary

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This is what she had to say about Rob:

I have to say he is the nicest and most down to earth celebrity I have ever met who really is beautiful inside and out , I literally met him right before he got up to accept best male performer for new moon and he always takes time out for fans.

Source: RPLife

Posted the others ones also.

Via/Gossip-Dance

‘WTTR’ will be screened at The Gaslamp Theatre in San Diego on Friday,October 1st,2010 at 7:30 p.m. Tickets can be purchased Here

More info: Here

Via/KristenStewartNews | Via/Twilightish

In celebration of its thirtieth anniversary, Variety reports, the Independent Film & Television Alliance (IFTA) has chosen thirty of the most significant independent films from the past thirty years, and Twilight received honorable mention.

Movies like Slumdog Millionaire, Juno, Dances With Wolves, and Summit Entertainment’s The Hurt Locker were chosen among the thirty films considered most significant from the independent film world, and Twilight was among three to receive honorable mention (others included Bowling For Columbine and Memento).

Variety | Twilight Examiner | Via/Twilightish

The saga of Ronald Reagan is certainly a fascinating one. The A-list actor went on to have a pretty okay career in politics. You know, just the 40th president of the United States. No big deal.

The biopic, which carries a $30 million budget and is targeted for a late 2011 release, will be helmed by “Malice” director Jonas McCord, The Hollywood Reporter reveals. He also wrote the script, working from a pair of optioned biographies by bestselling author Paul Kengor: “The Crusader” and “God and Ronald Reagan.” McCord admits to not being a fan of the former president, but being intrigued by the project as he learned more about Reagan’s early life. The story will open on the 1981 assassination attempt, telling the Gipper’s life story through “flashbacks and flash-forwards.”

It’s all going to hinge on who plays Reagan, of course. And as you might expect, we have a few suggestions…

Peter Facinelli

Obviously some of you are going to think that Peter Facinelli is on the list to placate the “Twilight” fans. This is MTV; you’re a big part of our audience. No. Facinelli is actually a strong actor, he could be made up to resemble the former prez and, as he’s proven in “Twilight,” he can play an older man as well as he does a younger man. A good pick for capturing Reagan at the varying stages of his life.

More at: MTV | Via/Twilightish

Like the moody Bella Swan, her Twilight alter ego, Kristen Stewart prefers the shadows to the limelight.

When your first screen credit rolls up after the names Glenn Close and Joshua Jackson, fame is going to be difficult to avoid – even when you’re 11. Kristen Stewart has had nine years to get used to it, but the Twilight star still craves celebrity like a vampire seeks out sunshine. “I grew up in the business, so the attention isn’t surprising, but it is inhibiting,” says Stewart, who landed a role in 2001′s The Safety Of Objects after an agent spotted her in a primary school play. “I love acting and I’m so grateful for Twilight and the opportunities it’s given me. I’m just not very good at dealing with the idea of being followed everywhere, and not being able to walk down the street or sit at a cafe with friends without getting mobbed and Twittered.”

And don’t start her on the romance issue. The latest instalment of the Twilight saga, Eclipse, only ramped up the hysteria surrounding her apparent relationship with co-star Robert Pattinson. “Nothing I could say would change anything, so I’m not going to say anything,” sighs the ethereally beautiful Stewart, whose brittle manner suggests that a hotel suite remains her true sanctuary. A role reversal doesn’t hurt, either. And what better therapy for an angsty ingenue than a role as seminal rock chick Joan Jett in this year’s biopic The Runaways. As Eclipse and the critically acclaimed The Runaways are released on DVD, Stewart opens up about life in the Twilight zone and how she is managing to balance life, career and her conflicted bargain with the devil of celebrity.
Do you sometimes feel exhausted by the attention you’ve had to deal with?

It’s hard to talk about that without giving the impression that I’m being negative or complaining. I love acting – I’m so passionate about the process, but there’s a helpless feeling when you can’t do the things you used to be able to do without attracting a large crowd. I knew the business very well before I had the chance to be a part of these films and so it’s not like it’s a shock to me. I would just rather not have to worry about where I can go just so that I’m not going to be followed. Sometimes I stay in my hotel room when I’m working on films or while I’m doing publicity for them. It’s less aggravation.

Is it important to you to have the chance to work on other films in between the Twilight movies?
I love to work. I don’t have any master plan as far as my career is concerned. I just choose projects on instinct. It was so interesting for me to be able to do The Runaways and play such a fierce personality, and the other films I’ve done have all had something that was really meaningful to me. I try to find roles that connect with me rather than think about how big the film will be or what it will do for my career. I could never structure things that way.

What is your take on Eclipse?
We see a more confident and determined Bella. She’s evolving and learning more about who she is and what she wants out of life. She also has to deal with the possibility that she’s lying to herself about being in love with Jacob when she is still, in fact, deeply in love with Edward.

Is it a case of Bella overcoming a lot of her self-doubts?
Bella is surer of herself and not as moody and despairing as she was in New Moon. It’s a really interesting progression that we see in Eclipse. It was interesting for me to take the character into a different space. I enjoy being able to leave one film and one chapter in her life and then get to explore her again. Most films force you to leave your character and that’s the end of the journey. So with Bella it’s exciting to be able to revisit her and rediscover new elements to her character.

Do you think Eclipse is a classic love triangle situation?
It is in the sense that Edward and Jacob are both fighting for Bella. She thinks she knows what she wants, but now she has to be able to stand up and say, OK, so maybe every choice isn’t completely impulsive. Maybe there are different levels of love, and maybe my ideological views of what I think you are to me are wrong, and maybe I could look at somebody else.

Do you feel you understand better now why the public is so fascinated with the Twilight story?
I think you have these intense personal dramas and the kind of deep feelings that Bella is experiencing, and everything that is going on between Bella and Edward and Bella and Jacob, that these very intense and private stories are developing where there’s all this chaos and danger surrounding them. So you’re thrown into a world that most people can relate to on a personal level, and then there’s this incredibly exotic and threatening backdrop to that world.

Read full article.

Film of the Week: Twilight star shows she can do gothic and gritty as Joan Jett Music director Floria Sigismondi’s first feature The Runaways is an exuberant and entertaining look at the creation of the trailblazing 1970s all-girl rock band of the same name.

Despite being born long after The Runaways split up, the film should still appeal to one of its key audiences – teenage girls – not least because of the casting of the Twilight stars Kristen Stewart and Dakota Fanning.

Stewart and Fanning play guitarist Joan Jett and lead singer Cherie Currie respectively. A scene in which the two young actresses kiss has already boosted the film’s promotional campaign.

The Runaways focuses on Currie – the film is loosely based on her 1989 memoir, Neon Angel: The Cherie Currie Story – as the vulnerable, jailbait junkie teen whose downfall forms the central thread of the story. But it is Stewart, as the kohl-eyed Jett, who steals the show – proving that she can do sullen and gothic without coming across as bland. Until now Stewart was best-known for playing Twilight’s troubled teenager Bella. But her breakout performance in The Runaways has been widely praised and hailed as a shrewd choice. Serious and self-confident, the role of Jett should ensure that Stewart is no longer typecast as a pale, insipid virgin.

WHAT THEY ARE SAYING:

AO Scott, the New York Times: “Ms Stewart, watchful and unassuming, gives the movie its spine and soul. Cherie may dazzle and appall you, but Joan is the one you root for, and the one rock ‘n’ roll fans of every gender and generation will identify with.”

Dennis Harvey, Variety: “Though sometimes her usual neurotic tics distract, Twilight’s Stewart is a good fit for the tough but good-natured Jett, who carried on as frontwoman after Currie left, then launched a far more successful solo career.”

Betsy Sharkey, the Los Angeles Times: “The good news is that Stewart is absolutely spot on as Jett… Fanning, unfortunately, is absolutely wrong as Cherie. Fifteen when the film was being shot, in a bustier and fishnets and heavy makeup, she looks like an innocent lured off Hollywood Boulevard for child porn, not the growling sex machine that – at least on stage – Currie was.”

Tom Huddlestone, Time Out: “Perhaps owing to Sigismondi’s lack of long-form experience, it never comes together. Isolated scenes look stunning but The Runaways never establishes a consistent mood, hopping from rebellious exuberance to doom-laden music industry critique.” (3/5 stars)

Kirk Honeycutt, Hollywood Reporter: “The film steers pretty clear of the more salacious side to the Runaways’ reality. It doesn’t linger long on the two teens’ sexuality, expressed with both sexes and with each other. Instead, Sigismondi rushes back onstage for another performance or plays Runaways music over the film’s many montages.”

Source | Via/Twilightish